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Media Rights Capital'Ozark' Was Most Popular Streaming Show This Summer, According To New Audience Metric. By Michael Schneider. A few months ago, a Netflix exec mused to Indie.

Wire that he was actually surprised that the streaming service’s viewership data hadn’t leaked out. Plenty of Netflix insiders know exactly who’s watching what, and when. Yet, the streaming giant has managed to keep its ratings under lock and key. Accurate data remains a mystery to even top- level Hollywood execs outside of the Netflix bubble. That’s starting to change, as more services chip away at the facade of Netflix ratings. Parrot Analytics has made headlines recently with its proprietary “Demand Expressions” metric, which looks at a variety of factors in determining a digital program’s popularity. And according to a new study revealed exclusively to Indie.

Wire, the Jason Bateman drama “Ozark” led the pack among all streaming shows over the past 9. Demand Expressions” measures audience demand for a title — including streaming, social media, blogging, file sharing, blogging, comments and other sources. The measurement is weighed by importance, which means a stream or download take precedence.

As for the Parrot Analytics data, the company shared the top 1. United States over the past 9. Netflix easily dominates the roster. The sleeper hit “Ozark” actually topped the charts, while CBS All Access’ “Star Trek: Discovery” was No.

Netflix’s “Stranger Things,” which remains popular even before the launch of Season 2. Hulu makes an appearance with Emmy winner “The Handmaid’s Tale,” but as has been discussed recently about the lack of buzz surrounding Amazon Prime’s programming, none of that service’s shows make the top 1. Visit the article at Indiewire. Ozark’ Renewed for Season 2. By Joe Otterson“Ozark” has been renewed for Season 2 at Netflix, Variety has learned. Like the first, the second season will consist of 1.

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The series follows financial planner Marty (Jason Bateman) and his wife Wendy Byrde (Laura Linney). Without warning, Marty relocates the family from the suburbs of Chicago to a summer resort community in the Missouri Ozarks after a money laundering scheme puts him in the crosshairs of a Mexican drug lord. Bateman directed multiple episodes in addition to serving as an executive producer. Chris Mundy executive produced and wrote for the series. Bill Dubuque and Mark Williams created the series and also executive produce. The series is produced by Bateman’s Aggregate Films in association with Media Rights Capital for Netflix. The series has received mostly positive reviews, with Variety‘s Sonia Saraiya writing: “ The taut thriller veers close toward storytelling pitfalls that other prestige dramas have made — strippers, money laundering, infidelity, a sex tape, bags of cash, barrels of acid — but deftly avoids falling into the bleak soup of bloated streaming dramas about a tortured male soul.

Ozark’ so carefully guides the audience through the story that it is one of the most compulsively watchable debuts of the year — a crime story that is part- thriller, part- caper, and endlessly surprising.”Netflix also recently renewed freshman comedy “GLOW,” which is a fictional account of a real all- female wrestling TV show from the 1. That renewal came on the heels of the cancellation of the drama series “Gypsy” starring Naomi Watts. Read the full article of Variety.

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Baby Driver Zooming Past $1. M At Domestic B. O. By Anythony D'Alessandro.

The Edgar Wright- directed action movie ballet will break the $1. M threshold by tomorrow according to rival estimates. Baby Driver, made by Sony/Tri. Star, Working Title and Media Rights Capital to the tune of a net production cost of $3. M, has been a breath of fresh air at a summer box office given its originality amid a litter of Nth franchise sequels, many of which have fallen short of providing any gas at the B.

O. (take your pick: Alien: Covenant, The Mummy, Transformers: The Last Knight, etc.). Baby Driver is a clear example of Sony Pictures motion pictures group chairman Tom Rothman’s mandate at the studio: Make ambitious, original fare at a reasonable price so that there’s plenty of upside. In addition, Baby Driver is a big win for Hannah Minghella’s Tri. Star Pictures. Much like Jordan Peele’s Get Out before it, what Baby Driver proves in this streaming age, is that audiences will drive to the multiplex to watch riveting, original, lower budget fare. Just because a film is considered niche and risky, doesn’t necessarily mean it should just be destined to home audiences. On the opposite end of the spectrum, we have another brilliant summer film like Netflix’s $5.

M- plus budgeted Okja, which despite its grand launch at the Cannes Film Festival, isn’t continuing to generate great buzz because it’s been shackled to the small screen. The way that Wright coordinates car chase sequences with punctuating sound and the rhythm of hard rock songs like Queen’s “Brighton Rock” or Jon Spencer Blues Explosion’s “Bell Bottoms” is something to behold on the big screen, not a 7. K television. Top this off with Ansel Elgort and Lily James’ smoldering chemistry, and you have a movie. Sony has been great about putting its below the line contenders out there during awards season, and Baby Driver should be in the mix.

Currently, Baby Driver is playing at 8. M this weekend (and if it doesn’t clear $1. M by tomorrow, then it will on Monday).

In the pic’s seven weekend run, Baby Driver has averaged a - 3. Sony is currently planning to take the movie wide again during the weekend of Aug. Worldwide, Baby Driver stands at $1. M. Sony started the engines on this movie back at SXSW with a marketing/publicity campaign led by Danielle Misher, EVP of Tri. Star marketing. Baby Driver earned great reviews and slotted a 1.

Rotten Tomatoes score before opening, and leveraged that in their trailers. Damon Wolf, the head of creative advertising for Tri. Star, led the charge on creating the high octane, retro- style promos for the film with colorful vintage design posters and award- winning million- plus- view trailers (Best Action Trailer at 2. Golden Trailer Awards). From the onset, Baby Driver has been Wright’s highest grossing title of his career both on an opening and running total basis. He hatched the feature from an idea he formulated years ago. Originally, the industry saw a $2.

M take for Baby Driver in its five- day opening, but the pic trumped expectations during an Independence Day stretch with $2. M, and $3. 9M in its first week of release.

According to Com. Score/Screen Engine, Baby Driver, rated R, drew mostly males at 5. Read Full Article At Deadline. Breaking Bad Fans Have Found Their New Fix In Jason Bateman–Starrer Ozark. Rotten Tomatoes By Andrea Reiher August 4, 2. Have you heard about Ozark?

It’s Netflix’s latest original drama, and after a somewhat quiet debut on July 2. The series, which currently has a 6. Tomatometer, stars Jason Bateman as Marty, a financial advisor who has been laundering money for a drug kingpin.

When his partner is caught cheating the business, Marty uproots his family to move the operation to the scenic Ozark Mountain region of Missouri, where they struggle to fit into this brave new world. Fans are comparing it to movies like Pulp Fiction and No Country for Old Men, but the biggest comparison it’s getting on social media is to the Bryan Cranston Emmy- winner Breaking Bad. But the show is more than standing on its own, with fans praising the writing and direction.

Bateman actually directed four of the 1. Fans are on board for this darker, twistier Bateman, who in recent years has mostly been known for his work on Arrested Development — and some fans enjoy imagining that Marty is really just bizarro Michael Bluth. Fans are expecting Bateman and the show to get at least one (if not several) award nominations for its writing, acting, and directing.

Saturday Night Live: The 1. Best Superhero Skits From making fun of Ant- Man in 1. Ant- Man in 2. 01. Saturday Night Live has always thrown a line to the world of comic book superheroes. Superman himself has been portrayed by the likes of Bill Murray, Dan Ackroyd, Phil Hartman, Jerry Seinfeld, the Rock, and even Macaulay Culkin.

With the increased mainstream popularity, the superhero skits definitely became more rampant in the latter half of the show's tenure, though there's still a gem or two in the early days. Here's my take on which ones are the best. Watch Chinese Puzzle Online Free HD more. Superman's Fortress of Solitude. Season 7: Episode 8 (2. Hosted by Hugh Jackman  People always talk about how The Prestigeis Wolverine vs.

Batman, but in this one instance, Jackman did play the Man of Steel, truly making that movie the original Batman v. Superman. Which makes sense, since Jackman is done in by magic. In this skit, Superman builds the Fortress of Solitude and readies the special Kryptonian crystals. Finally, he'll learn about who and what he is! The disembodied head of Jor- El (Will Ferrell) appears to him and dramatically explains that this phantom version of himself will give Superman all the answers he needs. After a moment, an awkward silence kicks in.

The two really have nothing to talk about. They end up asking each other how they're doing, but neither has much to add. Like a father on the phone, Jor- El gives the conversation over to Superman's mother, Lara (Maya Rudolph), who is trying to hide her panic over the possibility that her son is gay, what with him wearing bright tights, insisting that Lois is not his girlfriend and that he likes to hang out with a teenager named Jimmy. Really, the highlight of this bit is Ferrell hitting all the right notes of a relative trying to carry an empty conversation purely out of politeness.

The Rock Obama. Season 3. Episode 1. 7 (2. 00. Hosted by Dwayne Johnson  President Obama (Fred Armisen) is known for his calm demeanor, but even he has his limits. Between the antagonizing of a trio of Republican senators and the egging on by Rahm Emanuel (Andy Samberg), Obama starts to give in to his negative feelings. After a verbal jab from Senator Mc.

Cain (Darrell Hammond) breaks the camel's back, Obama goes into a fit. His suit begins to rip and after a ghastly transformation sequence, we see Dwayne Johnson sitting in his place, clad in tattered clothes. He's labeled "the Rock Obama," a pun that hits stronger since this was during the days when Johnson was trying his hardest to distance himself from his wrestling career.

His voice sounds like Obama's enough already, but he mixes the Shatner- like inflections of the president with the caveman speak of the Incredible Hulk. To Emanuel's delight, the super- strong Obama proceeds to casually terrorize the Republicans. Later that season, the Rock Obama returned to do the same bit, only this time with an appearance by his own personal Rick Jones, Vice President Joe Biden (Jason Sudeikis).

I love Sudeikis' depiction of Biden. He's such a scamp.

Digital Short: Batman. Season 3. 7: Episode 8 (2. Hosted by Steve Buscemi  Steve Buscemi plays the role of Commissioner James Gordon to perfection in this pre- filmed parody of the Christopher Nolan Batman movies. Gordon meets Batman (Andy Samberg) on the rooftop, next to the Bat Signal and talks shop. As expected, Batman vanishes when Gordon isn't looking and Gordon makes a crack about it.

Unfortunately, that's not the only place Batman does that. Gordon tries to get some late night ice cream from the freezer and Batman's there to tell him that he thinks the Scarecrow is up to something. Gordon's freaked, but he's still on board with what's going on.

This doesn't last as Batman keeps showing up in more intimate places, including a moment where he brings Aquaman with him to sneak into Gordon's shower. To be fair, Aquaman's water is off at his building. Even Batman's reasons for accosting Gordon get flimsier. We go from, "I think Two- Face is stealing chemicals!" to, "The Penguin got a credit card!" Soon things come to a head when Batman invades Gordon's bedroom, where he goes well over the line and well into the deep end.

What If? Season 4: Episode 1. Hosted by Michael Palin  Over twenty years before Mark Millar penned Red Son, Saturday Night Live more or less beat him to the punch. The skit is based on the idea of a TV show that looks at what the world would be like if certain historical incidents worked out differently. It just so happens that instead of choosing from someone with a real zest for world history, they got their question from a ten- year- old paperboy. That question is, "What if Superman grew up in Germany instead of America?"Through a dramatization, we see Adolf Hitler (Michael Palin) ranting and raving about the Russians, leading to him ranking all the different non- Aryan groups. If you're wondering, the Negro gypsy homosexual dwarfs are sixteen steps above the Jews. He's visited by the local propaganda reporters Klaus Kent (Dan Ackroyd), Lois Laneoff (Laraine Newman), and Jimmy Olstein (Al Franken).

In a shot reminiscent of George Reeves' Superman glaring uncomfortably at the television camera, Klaus sees with his x- ray vision that there's a bomb hidden in a nearby briefcase. Surely, he must act quickly and save der fuhrer to uphold untruth, injustice, and the Nazi way! This looks like a job for Uberman!

The sketch is ultimately all over the place, overly long and gets pretty tired, even with a quick appearance of Jim Belushi as Marlon Brando as Jor- El. In the end, it mainly wins me over with Uberman explaining that thanks to his x- ray vision, he can tell that Jimmy is really a Jew! The X- Presidents. Recurring, debuted in 1. Ah, yes. The X- Presidents. As part of the "TV Funhouse" series of cartoons by Robert Smigel, we were treated to years of the world- saving hijinks of Gerald Ford, Jimmy Carter, Ronald Reagan, and George H.

W. Bush. Granted powers through a radioactive storm during a golf game, the four were granted special abilities as ill- defined as the powers of the Hanna- Barbera superhero cartoons they're based on. The easily- aggravated Reagan leads the bumbling fool Ford, sensitive Carter, and always- having- way- too- much- kinky- sex- with- his- wife Bush. The cartoons are half Hanna- Barbera inanity and half spoofs of world politics. Most amusing of all is how iconic sound bites are changed up for the sake of action comedy.

We have Reagan telling evildoers, "Just say no.. George Bush leaps into action with the cry, "Read my lips: your ass is grass!" And when Richard Nixon is resurrected to help the team, he rises from the grave with, "I am not a crook! I am a killing machine!"Dark days hit the team once Clinton is out of office. Not only does he insist on joining the X- Presidents despite having no powers, but George W. Bush uses the team for his own shady dealings. This leads to more super- powered resurrections as the X- X- Presidents show up to save the day. There was also an instance of the X- First Ladies showing up, with them taking the forms of Black Widow, Medusa, Hawkgirl, and She- Hulk.

Crazily enough, the X- Presidents got their own comic book one- shot. If only we could get one of those for the Rock Obama. Moleculo: The Molecular Man. Season 2. 6: Episode 1. Hosted by Conan O'Brien  A Superman- like hero named Moleculo (Conan O'Brien) stands over a mountain of beaten criminals. When asked who he is, he identifies himself as Moleculo, looks to the camera and says with the hammiest smile, "THE MOLECULAR MAN!" His intro theme plays over a montage and as the singers repeat his name, it again ends with him smiling and yelling, "THE MOLECULAR MAN!"Unfortunately, Moleculo likes doing that way too much.

Whenever anyone mentions his name in earshot, he looks to the camera and shouts, "THE MOLECULAR MAN!" without fail.